2021-2022 Visiting Artists
Jennifer Ling Datchuk
American Flag
digital documented performance
porcelain beads from Jingdezhen, China, fake hair, steel rack, collected affirmations
2020
Jennifer Ling Datchuk
Babe Cave
porcelain beads, fake hair, hair clips, wood, paracord rope, cheerleader pom poms
96″ x 96″ x 120″
2019
Jennifer Ling Datchuk
Hit Me with Your Best Shot
16″ x 20″ digital print
Hahnemuhle Fine Art Pearl 285gsm paper
Made in China Cuban link iced out bracelet, water jet cut Lenox Oxford China porcelain plates from the Confederacy Collection for The White House of the Confederacy, nails from Glaze Nail Lounge
originally commissioned by Artpace, San Antonio
2019
Jennifer Ling Datchuk
Center for Creative Photography
The Personal in Porcelain
Datchuk will discuss how her studio practice is informed by the power in materials like porcelain, hair, and domestic objects. She will explore how research, personal narratives, lived experiences, and oral histories are foundations for making work about identity.
Jennifer Ling Datchuk
Jennifer Ling Datchuk is an artist born in Warren, Ohio and raised in Brooklyn, New York. Her work is an exploration of her layered identity – as a woman, a Chinese woman, as an “American,” as a third culture kid. Trained in ceramics, Datchuk works with porcelain and other materials often associated with traditional women’s work, such as textiles and hair, to discuss fragility, beauty, femininity, intersectionality, identity, and personal history. Her practice evolved from sculpture to mixed media as she began to focus on domestic objects and the feminine sphere. Handwork and hair both became totems of the small rituals that fix, smooth over, and ground women’s lives. Through these materials, she explores how Western beauty standards influenced the East, how the non-white body is commodified and sold, and how women’s – globally, girls’ – work is still a major economic driver whose workers still struggle for equality.
Datchuk holds an MFA in Artisanry from the University of Massachusetts Dartmouth and a BFA in Crafts from Kent State University. She has received grants from the Artist Foundation of San Antonio, travel grant from Artpace, and the Linda Lighton International Artist Exchange Program to research the global migrations of porcelain and blue and white pattern decoration. She was awarded a residency through the Blue Star Contemporary Art Museum to conduct her studio practice at the Künstlerhaus Bethanien in Berlin, Germany and has participated in residencies at the Pottery Workshop in Jingdezhen, China, Vermont Studio Center, European Ceramic Work Center in the Netherlands and Artpace in San Antonio, Texas. In 2017, she received the Emerging Voices award from the American Craft Council and in 2020 was named a United States Artist Fellow in Craft. Her work has been featured in a solo publication “Jennifer Ling Datchuk: Half” through French and Michigan in San Antonio, TX, and included in “Artpace at 25”, “Black Cube: A Nomadic Museum”, the Guardian, Vogue, and American Craft Magazine. Her work is in the collection at the Museum of Fine Arts Houston. She is an Assistant Professor of Studio Art at Texas State University and lives and maintains a studio practice in San Antonio, Texas.
In 2016, she opened the Porcelain Power Factory, a small ceramic line that reclaims the past lives of objects to raise the social awareness of causes that we need to fight for. Motivated by Trump’s body-shaming and brags of sexual assault, this work is made to empower women’s movements. The functional works are a statement of resistance and feminism and a way to give back.